The content of these books is based on suggestions from the German Music Council (Deutscher Musikrat) and statistical surveys conducted by the German Orchestra Association (Deutsche Orchestervereinigung e.V. - DOV). This data is combined with the long-term professional experience of the editors, who are both orchestral musicians and university pedagogues. The result is a focused, data-driven collection that has become the standard reference for orchestral audition preparation across Europe and beyond.
Simply playing through the sheet music is not enough to pass a competitive audition. Use these targeted strategies to elevate your preparation:
Audition panels generally require candidates to prepare the following components: orchester probespiel violin pdf
(e.g., youth orchestra vs. professional) so I can tailor the excerpt list for you?
| Composer | Work | Excerpt Focus | |----------|------|----------------| | W. A. Mozart | Symphony No. 39, 40, 41 | First violin, exposition, development (bow control, classical style) | | L. van Beethoven | Symphony No. 3 “Eroica” | Scherzo: Trio section (rhythmic precision, spiccato) | | L. van Beethoven | Symphony No. 9 | Recitative passages (expression, ensemble awareness) | | J. Brahms | Symphony No. 1, 2, 3, 4 | High-register sustained playing, tremolo, dynamic contrasts | | R. Strauss | Don Juan | Opening solo passage (famous test of virtuosity and stamina) | | R. Strauss | Ein Heldenleben | Solo sections (high position, intonation, character) | | R. Wagner | Prelude to Die Meistersinger | Opening theme (bow distribution, legato) | | S. Prokofiev | Classical Symphony | Gavotte (lightness, precision) | | R. Schumann | Symphony No. 2 | Scherzo (rhythmic drive) | | A. Bruckner | Symphony No. 4 | Tremolo passages (control, evenness) | | D. Shostakovich | Symphony No. 5 | First movement high first violin part (accuracy under pressure) | The content of these books is based on
Candidates perform on stage with members of the orchestra's string section to test acoustic blending and chamber music skills. 2. Core Repertoire: Solo Works and Concertos
Combine all excerpts into one document, ordered by difficulty or as required by your target orchestra. Use a PDF editor (Adobe Acrobat, Preview on Mac) to merge files. The result is a focused, data-driven collection that
Do not just look at the notes. Study the tempo markings, time signatures, and key changes. Mark tricky shifting points and potential bowing traps directly onto your digital PDF tablet or printed copy. Use a Metronome and Drone
Successful audition preparation requires familiarity with the most frequently requested orchestral passages. The following table expands upon the core repertoire found in standard audition lists.
: Symphony No. 39 (Mvt. II and IV) or Overture to The Marriage of Figaro .