The title "Stossgebet fur meinen Hammer" is a masterclass in German double-entendre, which is a hallmark of the era's erotic comedies.
Billian adds “für meinen Hammer” — “for my hammer.” In German slang, “Hammer” is a phallic metaphor. Thus, the title can be read literally as a prayer for a tool, but more provocatively as The English alternative title, “Pray for My Cock,” makes this double meaning explicit.
A man invades a "ladies-only" sauna day, leading to a series of escalating sexual encounters involving a mother (Frau Kellner) and her teenage daughter. Stossgebet fur meinen Hammer -Hans Billian- Lov...
According to the film's profile on IMDb , the narrative unfolds in a local public sauna during a designated "ladies-only" day:
According to the official Stoßgebet für meinen Hammer IMDb Profile , the movie utilizes a classic situational setup: The title "Stossgebet fur meinen Hammer" is a
The late 1960s marked a significant turning point in Hans Billian's career as he began to explore softcore sex comedies. Films like *Pudelnackt in Oberbayern* (1969), considered a pioneer in the Bavarian sex comedy genre, and *Run, Virgin, Run* (1970) helped him transition from family-friendly entertainment to more risqué material.
Billian contributed segments to the Report series (the “Lov” might be a misreading of “Report” on a worn VHS spine). One episode, “Die Gebet des Schmieds” (The Blacksmith’s Prayer), features a blacksmith who prays to his anvil and hammer before every sexual conquest. Contemporary reviews called it “unintelligible but fervent.” A man invades a "ladies-only" sauna day, leading
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